One of W.H. Auden’s greatest gifts as a poet was his versatility, being one of the major figures in the 20th century for resurrecting a wide range of traditional poetic forms. He was as comfortable with free verse as he was with long-forgotten French forms. His masterly villanelle, “But I Can’t” – an achingly simpleContinue reading “The Lesson (After W.H. Auden’s “But I Can’t”)”