Temple Prayers (For George Herbert)

Today’s poem is for one of my most beloved poets: George Herbert, the seventeenth-century Anglican minister who also wrote poems of breathtaking honesty and beauty. Herbert wrote extensively in Latin, but his English poems were only published after his death when his friend Nicholas Ferrar ignored Herbert’s request to have them all destroyed. I couldn’t possibly do Herbert justice with my own words, so I have gone instead for homage. If you have not read Herbert for yourself, read “Prayer (I)”, his masterpiece and the framework for my poor imitation.

Temple Prayers (For George Herbert, Priest and Poet)

Wrestling in submissive, humbled prayer,
The soul contorting in its hopeful rise;
The weight of comfort lighter than the air,
A fall, a leap, a tower to the skies.
The spirit moving in the tug and pull
Of rest and restless groping towards peace,
The six-days’ work contracting, emptied, full;
A Sabbath-voice of calm on tempered seas.
The heart rejoicing in the tears of praise;
The cry that echoes out beyond the walls
Of broken temples in their rise and fall;
The call to make an altar of our days.
Soft freedom found within these vast constraints;
Incense-prayers, the poetry of saints.

The Lot (For St Matthias)

St Matthias, the thirteenth apostle, is remembered by the church on Feb 24th. I neglected to write his poem on the day, so here it is, better late than never. For those unfamiliar with his story, you can read about him in Acts 1:15-26, where the remaining eleven apostles (Judas having hanged himself) are given the task of choosing another apostle to replace Judas. They cast lots – a seemingly random act, yet governed by God – “and the lot fell to Matthias; so he was added to the eleven apostles”. Here is his poem.

The Lot (For St Matthias, Apostle and Martyr)

Whenever our own personal gain depends on a neighbour’s loss, do we, at least in will, steadily and practically love him as ourself?
(Christina Rossetti, Time Flies: A Reading Diary)

Succeeding where another failed,
Chosen where one lies condemned,
The lot including him and yet
Excluding, barring others.

Seemingly chosen by chance –
The lots possessing in themselves
No wisdom or discretion, yet
The tools of sovereign will.

And this is how it seems to go
Within His vast economy:
The way one rises as one falls
And lowly ones are crowned.

And humbly, we presume, he takes
The lot that is declared now his,
The sign that nothing is annulled
And grace will go on giving,

For even fields of blood lie in
The boundaries of His will
And some are snatched as though from flames
While others sadly fall.

Qui Habitat Part 2 (Second Sunday of Lent)

Today’s poem follows on from my poem of last Sunday, the second of five lenten poems paralleling the Psalms with Jesus’ movement towards the Cross. Today Jesus continues His ministry in the face of the Pharisees’ and Herod’s threats, but pauses for a moment to mourn over Jerusalem’s refusal to trust in Him. The two psalms echoed here are Psalms 91 and 27, both of which speak of finding rest and shelter in God – a rest and shelter that many refused to find in Jesus.

Qui Habitat Part 2 (Second Sunday of Lent)

Jerusalem, he sang and wept;
Jerusalem, long I have longed
To give you shelter in my wings.
Jerusalem, he wept.

Jerusalem, will you find rest
Underneath almighty wings?
Jerusalem, why won’t you rest
And find your shelter there?

Jerusalem, His voice entreats,
Calls to your heart to seek His face.
Nothing you ask, nothing you seek.
Jerusalem, he wept.

Jerusalem, your prophets killed,
Your king a fox upon the prowl,
One thing I ask; just this I seek:
To find your shelter here.

Jerusalem, he sang and wept;
You will not see me now until
The rocks cry out, Blessed is He.
Jerusalem, he pleads.

The Crown (For Polycarp, Bishop and Martyr)

If we please Him in this present world, we shall receive also the future world, according as He has promised that He will raise us again from the dead, and that if we live worthily of Him, “we shall also reign together with Him”, provided only we believe.
(Polycarp, Letter to the Philippians)

His eighty-six years of faith still burned;
He had no other choice.
This present life was dead to him
If he denied his Life.

He who had not scorned the Cross
Had called him as His own
And so life’s treasures were all dust
And flames had lost their power.

Broken joints and pierced sides
Were honours from the One
Who promised him a crown of life
In the endless life to come.

Eighty-six years he had believed
And known the arms of grace.
They lifted him now from the flames
For he had won his crown.

Silent Screams

This morning I heard the news from my parents that the son of old friends of theirs – a boy a few years older than me, who I had taken a class with at Uni and had known casually most of my life – died this week from throwing himself in front of a train. Though I had not known him well, the news was naturally horrifying – the sort of thing that you know happens often but never to someone you know, whose face you can recall instantly and whose existence you have always taken for granted, for never having known a time when they did not exist.

I know only the smallest fraction of the story and it isn’t even really my place to comment on what happened to him. However, it reminds me of the unbelievable agonies that many people know inwardly every day of their lives and which others around them cannot even begin to imagine. I pray that we can all be sources of comfort and hope to those in our lives who know the kind of pain that must have plagued this boy. It is impossible to know why or to explain such grief; yet let’s pray that we can prevent it or shine light into it in others’ lives, wherever it is in our power to do so.

Silent Screams

He had my brother’s name and we
Sometimes met in lecture rooms
And seminars, or restaurants,
With passing words and smiles.

And there were some vague memories too:
Afternoons at family homes,
Christmas letters bearing news,
And clippings from the paper.

As a child, I think, he sang
In soprano voice, though I
Never heard him sing and knew
This only from afar.

We did not know, could not conceive
The griefs that drove him out
Before the train, onto the rails,
Amidst the silent screams.

It’s always someone you don’t know
Whose face emblazons news reports;
But though I do not know his pain,
I know his name and face.

He had my brother’s name and we
Sometimes spoke on passing by.
I hear his screams now but cannot
Run out to set him free.

Rooted and Established (For William Grant Broughton)

Today’s poem is written in memory of the first and only archbishop of Australia, William Grant Broughton. His story is a dense and confusing one to read, full of internal debates over the division of church and state. It isn’t one which lends itself immediately or easily to poetry. However, I have chosen to focus on Broughton’s determination to plant a strong, secure church around which Australian society could flourish and grow, and his fear of what might happen if the state had greater authority than the church – not an easy topic to take a firm and confident stance on in today’s society, yet one which got me thinking about what it means for the church to be truly rooted and established in the God who will grow it regardless of government policy. I hope I’ve succeeded in turning this into something poetically meaningful!

Rooted and Established (For William Grant Broughton, First Bishop of Australia)

Arriving on new soil, you saw in this your duty:
That in the ground you’d plant the church,
The roots of orderly, just society,
Grafting the nation to its growing stem.

And when the forces around you fought
To make the State a taller tree,
You fought back, pruning branches which
Threatened what you sought to grow.

Sometimes the sun of this new garden
Made you wilt, and your lame leg
Slowed you down as you paced the ground;
Not all the workers were your friends.

But the tree you tended, you must know,
Had roots far deeper than this soil
And did not need the earth’s supplies
To grow and flourish far and wide.

Had you stopped a moment in the garden
And seen, in increments beyond you,
Its certain growth, its strongest roots,
You would see how deep, how fixed, how wide,

How high its arms, how sure its fruit.
For you – like me, like all of us –
Could have rested in its shade
For it established you.

Gratis

Caught out again,
The senselessness surprising always:
That way your arms have now of reaching
And how your smile beckons;

And me with my hands still dirty,
Clothes dishevelled, face not there,
Turning now aside from you
Towards the corner, somehow proud.

(It always seems the place for me
And has my footprints there and back,
Yet you reach deep inside my crawling
With fingertips that know.)

Senseless and surprising with your
Periscopic, plumbing gaze
And eyes that touch in silent hoping,
Fingers like your perfect scars;

The offer of your warmest shoulders
And these reserves of purest grace:
Deep and deep the wounds that feed it,
Free and flowing beyond belief.

Qui Habitat (First Sunday of Lent)

Continuing my Lent poems with the first Sunday of the season, I am beginning a series of poems based on parallels between Jesus’ ministry and the Psalms. Today’s poem takes its title and some of its ideas from Psalm 91, which is called “Qui Habitat” in Latin, from the opening line, “He who dwells in the shelter of the Most High…” It is a beautiful promise of protection for those who trust in God and obey Him, captured perfectly in Jesus’ time of testing in the wilderness.

Qui Habitat (First Sunday of Lent)

Because he is bound to me in love,
therefore will I deliver him;
I will protect him, because he knows my Name.

(Psalm 91:14)

Son of Man:
You are weak in your hunger
And the elements conspire against you with rock.
You could change it all with a knee
Bent in worship towards dust.
Son of Man, stand:
You shall not live by bread alone
And these words from the Father’s mouth will feed you,
Weary and weak.
Son of Man, stand firm.

Son of God:
You have left behind Your home;
All the Universe was Your kingdom, the heavens Your throne.
All scepters could be Yours now if you bowed
Down to the dust and the serpent that slides.
New Adam, stand firm.
Your Father declares, Because he is mine,
Because he is bound in love to me, I
Will deliver him. Stand:
Son of God, Stand firm.

Son of Man:
The desert encloses with all its sand
And the day after day of resistance erodes you.
These rocks tempt you to hurl yourself from the cliff;
Son of God: stand.
He will not let you strike your foot
And He will command His angels towards you.
Yet you must wait;
The desert holds you a moment longer.
Son of God, Son of Man,
Stand firm; you are held
In arms far bigger than the desert’s worst demons.

Hope in C Major

I had the idea for this poem playing over in my head this evening on the way home from the working week. If you’ve followed my poetry much over the past year or so you might have noticed that often what I write can be quite dark or melancholy. Today’s poem expresses perhaps my desire to express myself in other ways, and the joy that comes from finding a more positive tune to sing.

Hope in C Major

I have long rehearsed these minor keys;
I know every diminished chord.
Atonal clusters sound in me;
I linger on sharps and flats.

But sometimes my fingers stumble on
A chord that rings bright and true,
And all my minor chords resolve
With notes that sing like home,

My hand stretched out across the keys,
Surprised to find beneath
My fingers’ disarray three notes
That hold together me,

Rearranged yet still my ears
Know what chord they now hear:
A sound of resolution and
A space for songs to rest.