Miracles of Grass

A devout gardener, my eldest comes out here
each day, to inspect, to water.
Sometimes he waters the concrete, sometimes
the soil. Most of it
is sapped up by unseasonal sun,
some soaks in. Butas we persist, he and I, we see
this transformation, like
a renewing mind: creeper grass
stretching out
green tendrils into a former wastelandand I am mindful to watch
the miracle of creeping grace
expanding where it is not seen.

Unless I See: After Caravaggio’s “Incredulity of Saint Thomas”

No need to touch the scars;
Caravaggio got that detail wrong.
The sheer force of His presence made Thomas crumple,
doubt ceasing where belief gained life,
the parched taste, hesitant like salt, exultant like wine,
as loosened lips croaked,
My Lord and my God.

Yet I am comforted to see
both the outstretched hand and
the companions’ fingers lifting his.
I cannot tell if, like Thomas,
I could simply stop doubting and believe at such a sight,
but, held up by the weathered,
briny hands of those who’ve seen with me,
I, like him, can lift a wrinkled brow in faith.

They knew Him too at breakfast

where, on the shore, He had
already assembled, as a table,
prepared for expected guests,
a charcoal fire, some fish laid out,
and, being himself the bread,
a loaf laid for good measure.

No need, of course, for the fish they brought.
No need, either, for that excess in their boats.
To feed seven mouths plus His,
that net-bursting horn of plenty was,
as old Judas, wilting, would have had them know,
not quite au fait.

Yet fitting – that He who made Leviathan solely to frolic
should choose to play with the resources of Galilee
to make much of these staples,
to invite, to delight,
and in the olive branch of this table set
in the presence of friends and enemies

to ask, as the mercy-cup overflowed in the background,
Simon, do you love me?

Resurrection Day

Nothing should compare to this:
our singularity that, with earthquake force,
shakes stones, baffles Rome, turns
the mourners from the tomb with lightning conviction.

And day on day this truth remains,
though I have dishes to wash
and the ever-turning of the present
makes me more a sullen Peter returning to his net

than a Mary, fleeing the dead, for dear life –
yes, for Life
had said her name and was here.

Damascus 1

Conversion_on_the_Way_to_Damascus-Caravaggio_(c.1600-1)
Caravaggio, “Conversion on the way to Damascus” (c.1600-1601

Something ends here:
paused mid-threat, flung groundward,
the man called Saul can breathe no more murder
while the horse kicks up its hooves and he points
his arms half-desperate at heaven.

Something begins here
yet it looks altogether like dying:
the fall, the pervasive dark,
the eyes failing to see, and yet
the spirit cognisant like never before.

I will show him how much he must suffer.
All this awaits, after the falling of scales;
now is the dying; the blindness preceding sight.
Must resurrection look like this?
With groans of creation, Saul will rise,
and Paul will live anew.

“…and how he was known to them in the breaking of the bread” (Emmaus 3)

unnamed
Caravaggio, “The Supper at Emmaus”, c.1606

How like him to appear this way:
a walk alongside the mourners,
an attentive ear, a willingness to linger,
and then – the climax –
seated at table,
bread, the beloved symbol, poised in hand,
and at its breaking
all finally clear.

How like him
who broke bread with Zaccheus,
with Levi, with Judas.
How very like the bread Himself
to be broken, then to be known.

Chiaroscuro

unnamed
Caravaggio, “The Supper at Emmaus”, c.1606

To Cleopas and his friend,
the revelation and its impact no doubt stuck.
Their paradigm, irremediably shifted, could hardly go back.
Such things as resurrections we don’t
forget in any hurry.

Yet for those serving at table, I wonder:
did the light dawn so quickly, so decisively?
More or less a normal night’s work,
and that constant attempt not to eavesdrop
or at least not be seen doing so.

And then, some vague but growing sense
that here was a light altogether different in quality,
such that everything else was jet in the background,
that here was a customer who transformed the meals he ate
and left behind more than he took.

Perhaps, on the table,
after he left, as though spirited away,
in place of the customary tip a piece
of bread leftover, and a cup of wine,
and with the skeleton of the fish course lingering on the plate,
a parchment asking silently,
“Shall these dry bones live?”